“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this world in the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently faced censorship through the Polish Communist regime for the belated ’70s and very early ’80s for their unabashedly political works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility and also the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Described as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been seldom seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new digital restorations and imported movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War associated with Worlds: Next Century, a reimagining for the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s exploration of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, mailorderbrides.dating reviews Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered for a objective up to a police state hell earth; and Szulkin’s last movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland when you look at the aftermath for the Communism Szulkin criticized throughout their profession. Also, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration using the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and generally are $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 West 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate fulfillment, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, plus the concept of the family that is nuclear.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life in the world happens to be so wonderful that only prisoners are utilized for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is sent for a apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic Earth, where he’s welcomed because of the population being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s accordingly nonsensical name from the babble of their infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a police state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand New electronic restoration Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce a brand new, flexible battle of people. a apparently ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, was called a precursor to Blade Runner , but its name additionally appears back once again to a more ancient misconception of creation and morality.
Preceded by: brand New electronic restoration The Gal additionally the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter using the devil, set into the Polish ballad of the identical name and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere centered on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted their career to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What remains of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. These are typically spurred in by their fervent belief in a fabled Ark that may deliver them from their living hell—a misconception propagated by the powers that be, and distribute, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent total collapse. Doing work in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
Brand brand New electronic renovation The War associated with Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) due to the fact sound of these 1984 propaganda machine that is-esque. Nevertheless when Iron dares to stop message, he makes an enemy also more than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and straight away banned, The War associated with the Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm